While fiscal sponsorship is a component of the program, unlike other sponsoring organizations, we also provide a suite of support services such as tailored consultations, discounts to our workshops and webinars with leading industry professionals, and other essential resources.
In the last 5 years, WMM’s Production Assistance Program has helped 194 films reach completion and assisted filmmakers in raising more than $46,000,000 from government, foundation, corporate or individual, and crowd-funded sources. Since its inception, the program has been a part of raising more than $100,000,000 and helping more than 1,000 films to completion.
Films and filmmakers we have supported have been nominated for or won Academy Awards for the last 22 years, including Oscar-winning documentary CITIZENFOUR by Laura Poitras, STRONG ISLAND by Yance Ford, SUGARCANE by Emily Kassie and Julian Brave NoiseCat, TO KILL A TIGER by Nisha Pahuja, THE ETERNAL MEMORY by Maite Alberdi and THE BARBER OF LITTLE ROCK by John Hoffman and Christine Turner, the last two of which were directed by PA alum. The program has also supported critically acclaimed fiction features like FAMILIAR TOUCH (dir. Sarah Friedland), Dee Rees’ PARIAH, I CARRY YOU WITH ME (dir. Heidi Ewing, prod. Mynette Louie), FAREWELL AMOR (dir. Ekwa Msangi, prod. Huriyyah Muhammad, Sam Bisbee, Josh Penn), and THE DIARY OF A TEENAGE GIRL (dir. Marielle Heller). We’re thrilled to continue to have a large presence at the Sundance Film Festival, including GOING TO MARS: THE NIKKI GIOVANNI PROJECT (Dir Michèle Stephenson), LITTLE RICHARD: I AM EVERYTHING (dir. Lisa Cortés), Sandi Tan’s SHIRKERS, which won the World Cinema Documentary Competition Award for Best Directing, and most recently SEEDS (dir. Brittany Shyne, prod. Danielle Varga), which won the U.S. Grand Jury Prize for Documentary. In addition to Sundance, films supported by our program premiere at major festivals like Berlin, Tribeca, CPH:DOX, and SXSW.
FIND PROJECTS AND FILMMAKERS TO SUPPORT
Index:Trace
Index:Trace is a film that portrays the past, present, and future impacts of the nuclear fuel trajectory in all 50 states, — uranium mines, nuclear weapons, nuclear power, and nuclear waste — as told by impacted communities, scientists and activists who are working together for nuclear abolition and environmental justice.
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Into The Underworld
On a remote Indonesian island, a female-led underwater cave diving team joins forces with local scientists on an expedition to locate a desperately needed drinking water source for indigenous villages, and to protect their ancestral waters from encroaching threats of mining and climate change.
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Hope of Escape
A true story that follows the incredible journey of an enslaved mother and daughter who must escape before they are sold and separated forever. Their only hope is to connect with their free relatives in the North and convince the most powerful abolitionists of their time to help them.
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God is a Pelican
“God is a Pelican” is a stop-motion animated short that follows two misfit middle-school girls’ intense, queer, and turbulent friendship as they create their own religion.
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The Gender Project
What defines biological sex — science or society? Through immersion in the lives of people who defy simplistic gender labels, The Gender Project uses bold cinematic language to confront the dichotomy of gender, exploding binary myths with scientific, historical, and cultural revelations.
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Somewhere Over the Rainbow
When an Indian filmmaker turns the camera on her fragmented family and her childhood mentor, a white British man, she uncovers the complex legacies of love and colonisation. Set between inherited duty and chosen identity, the film is an absurd excavation of what it means to belong.
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SuperD!ville
We are creating a web series for public schools focusing on social and emotional learning for children with dyslexia and attention issues. Our mission is to help kids succeed in school and life because of, and not in spite of, their learning differences.
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I Love Bed-Stuy
Like many American neighborhoods, Bedford-Stuyvesant is quickly gentrifying, losing access to its own culture, history and residents. In this vibrant hybrid documentary, a budding fictional love story is the silver lining, as real-life residents’ fight to save a historical building becomes a microcosm for a deeper look into 3rd wave
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My Color
My Color is an intimate documentary portrait of three artists living entirely in one color — from their clothes to their homes — turning radical visibility into a means of survival.
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As Prescribed
“Benzo warriors” fight a grassroots battle to save others from the devastating consequences of the little pill they took as prescribed.
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Landscapes of Memory
Weaving personal essay and intimate character studies, LANDSCAPES OF MEMORY explores Germany’s remembrance culture, and the uses and abuses of collective memory.
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Presente!
Five years after the assassination of Marielle Franco, a young community leader born in the favela of Rocinha, Magda Gomes, follows the journeys of Black women in Brazilian politics as she contemplates which path to take toward her future.
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The Coma Club
THE COMA CLUB follows four matriarchs as their loved ones emerge from comas caused by injuries sustained during America's recent wars. Moving between an annual retreat and their lives back home, the film offers a rare, intimate portrait of caregiving and the resilience of families living in combat’s long shadow.
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See the Women
Three Indigenous womxn artists heal their past and reclaim their spirits through art, including the daughter of an influential Native American activist who makes prayer beads to address the grief of her stepmother and siblings’ murder.
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The Mask That Grins And Lies
The Mask that Grins and Lies is a meditative documentary feature that uncovers the intergenerational silence shrouding black women’s mental illness.
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Grassland
Exploring the failures of the criminal justice system from a unique angle, GRASSLAND follows a young Latino boy who puts his single mother's illegal marijuana business at risk when he befriends the new neighbors.
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INDÍGENA
To fulfill her mother’s dying wish, a filmmaker retraces her mother’s work as an activist and journalist during the Red Power Movement of the 1960’s and 70’s, bringing to light 500 years of Taino resistance and igniting her own journey of reclamation.
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After the Deluge
A year into the Covid-19 pandemic, Sharka, a scrappy expressionistic painter, finds respite from the isolation of her small apartment on a park bench. When Bridget, a self-possessed lone traveler dragging a suitcase, encroaches and sits down next to her, angry sparks fly until the two find unexpected common ground.
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