While fiscal sponsorship is a component of the program, unlike other sponsoring organizations, we also provide a suite of support services such as tailored consultations, discounts to our workshops and webinars with leading industry professionals, and other essential resources.
In the last 5 years, WMM’s Production Assistance Program has helped 194 films reach completion and assisted filmmakers in raising more than $46,000,000 from government, foundation, corporate or individual, and crowd-funded sources. Since its inception, the program has been a part of raising more than $100,000,000 and helping more than 1,000 films to completion.
Films and filmmakers we have supported have been nominated for or won Academy Awards for the last 22 years, including Oscar-winning documentary CITIZENFOUR by Laura Poitras, STRONG ISLAND by Yance Ford, SUGARCANE by Emily Kassie and Julian Brave NoiseCat, TO KILL A TIGER by Nisha Pahuja, THE ETERNAL MEMORY by Maite Alberdi and THE BARBER OF LITTLE ROCK by John Hoffman and Christine Turner, the last two of which were directed by PA alum. The program has also supported critically acclaimed fiction features like FAMILIAR TOUCH (dir. Sarah Friedland), Dee Rees’ PARIAH, I CARRY YOU WITH ME (dir. Heidi Ewing, prod. Mynette Louie), FAREWELL AMOR (dir. Ekwa Msangi, prod. Huriyyah Muhammad, Sam Bisbee, Josh Penn), and THE DIARY OF A TEENAGE GIRL (dir. Marielle Heller). We’re thrilled to continue to have a large presence at the Sundance Film Festival, including GOING TO MARS: THE NIKKI GIOVANNI PROJECT (Dir Michèle Stephenson), LITTLE RICHARD: I AM EVERYTHING (dir. Lisa Cortés), Sandi Tan’s SHIRKERS, which won the World Cinema Documentary Competition Award for Best Directing, and most recently SEEDS (dir. Brittany Shyne, prod. Danielle Varga), which won the U.S. Grand Jury Prize for Documentary. In addition to Sundance, films supported by our program premiere at major festivals like Berlin, Tribeca, CPH:DOX, and SXSW.
FIND PROJECTS AND FILMMAKERS TO SUPPORT
LEE: We Are Our Times
Raised in a Lower East Side NYC project, Lee Quiñones’ urgency and need to express himself drove him to become one of the greatest artists to emerge from the 70s/80’s graffiti movement.
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This Year
Maxine, a precocious sixteen-year-old in Wheeling, West Virginia, feels safe and loved in the town she calls home. But as anti-trans policies threaten her healthcare, her mother pushes to leave, forcing the family to confront what home, safety, and belonging really mean.
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The In Between
The in Between is a portrait of a unique community that follows the exceptional but very normal lives of the citizens of the sister cities of Eagle Pass, Texas and Piedras Negras, Coahuila along the U.S. / Mexico border, offering an intimate look into the heart of Mexican-American identity.
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Into The Underworld
On a remote Indonesian island, a female-led underwater cave diving team joins forces with local scientists on an expedition to locate a desperately needed drinking water source for indigenous villages, and to protect their ancestral waters from encroaching threats of mining and climate change.
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Adios Amor - The Search for Maria Moreno
The discovery of lost photographs sparks the search for a hero that history forgot—Maria Moreno, a migrant mother who sacrificed everything but her twelve kids for farmworker justice. The first female farmworker in the U.S. hired as a union organizer, Maria’s story was silenced and her legacy buried—until now.
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A Place of Absence
Decades after the disappearance of her uncle during Argentina’s dictatorship, filmmaker Marialuisa Ernst joins the Caravan of Mothers, a group of Central American women traveling the migrant trail in search of loved ones who have disappeared trying to reach the US.
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Made in Ethiopia
Flamboyant Chinese businesswoman Motto needs every bit of mettle and charm she can muster to drive forward the biggest Chinese industrial park in Ethiopia. Having staked their future on the promise of industrialization, Ethiopian farmer Workinesh and factory worker Beti - like their country - find themselves at a crossroads.
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Hear, Eat, Home
A lyric portrait of how—through art, friendship, music, and food—New York immigrant musicians and artists understand the upheavals they faced in their home countries and answer new challenges that emerge as they make the US their home.
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The Coma Club
THE COMA CLUB follows four matriarchs as their loved ones emerge from comas caused by injuries sustained during America's recent wars. Moving between an annual retreat and their lives back home, the film offers a rare, intimate portrait of caregiving and the resilience of families living in combat’s long shadow.
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Take Me Home
Anna, a 38-year-old Korean adoptee with a cognitive disability, cares for her aging parents in a fragile balance of meeting each others’ needs. When a Florida heat wave shatters their family and Anna’s routine, her future is uncertain - until she creates a world where she can thrive.
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The Endless Frontier
THE ENDLESS FRONTIER follows four passionate researchers hunting for cures and protecting the planet from disaster, when they unexpectedly find themselves on the frontlines in the fight for the future of science itself.
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A Photographic Memory
A daughter attempts to piece together a portrait of her mother, a daring journalist, and a woman she never knew. Uncovering the vast archive Sheila Turner-Seed produced, including lost interviews with iconic photographers, the film explores memory, legacy and stories left untold.
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Familiar Touch
Familiar Touch is a coming of (old) age film. It follows an octogenarian woman’s transition to life in assisted living as she contends with her conflicting desires and self-narratives amidst her shifting age identity and memory.
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No Human Involved
NO HUMAN INVOLVED: a woman is destroyed by a 27-month prison sentence for prostitution in Arizona, the tenacity of those who fight for justice in her name.
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Work While You Have the Light
Work While You Have the Light is a feature documentary by a multi-generational directing team that examines professional women who are over seventy-years-old and still working.
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Girls for Tomorrow (formerly GIRLS OF TOMORROW)
2015 - 2025 : From Obama, through Trump, and until Biden’s final presidential days, the Girls go through their twenties grappling with dreams of a fair, feminist, sustainable society in a patriarchal reality. While I have just become a mother and seek elevation, I follow them for a decade.
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No Money No Honey
Revisiting memories captured on old VHS tapes, Máxima, an Argentine sex worker, longs for her golden years in Miami with friends while confronting the ghosts of a childhood scarred by neglect and abuse. As she reconciles with her past, she finds strength in the needs of her trans community.
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